Working with Texts in Online Courses

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TEXT(S)

There’s been some discussion recently about students and lectures and attention spans.* As conversation about this turned to how students grapple with long form texts in an online course, I thought it might be useful to gather some ideas on course design and working with texts in online courses.

The initial page of the Peterborough Chronicle, marked secondarily by the librarian of the Laud collection. The manuscript is an autograph of the monastic scribes of Peterborough. The opening sections were likely scribed around 1638 (See document). The section displayed is prior to the First Continuation.
The initial page of the Peterborough Chronicle (annotated monastic text)

Structure your course around the texts not the weeks

Some instructors structure their reading intensive course around the books that are read. A module per book with multiple discussion boards and prompts per book. This subtly shifts the focus from what am I doing this week to what is this book doing. For example, in ENG 210 Literatures of the World: Asia, Jeff Fearnside structured the course around the five books they were reading.

Banner depicting a 3D model of the Blue Mosque in Turkey
Banner for the module and book on Turkey

Other course elements allowed summative reflections and integrative questions to address themes throughout the course.

Shift format away from only reading and writing.

If reading, multiple books you might change how students interact with one or more of the books.

In engaging with a text, students might:

  • watch a play rather than read it
  • listen to a poem rather than read it (For example, this recording of The Waste Land – poem begins at 16:10)

In responding to a text, students might:

  • create a video journal or podcast as they progress through text(s)
  • tweet (or write within 140 characters) summaries of characters or plot themes (similar to the idea of Tweet your thesis)
  • build a timeline of the narrative (for example, this timeline of Russian History created with student entries for Betsy Ehler’s RUS 233: 20th Century Russian Culture course)

Check for understanding

I’m wary about the idea of reducing student engagement with a text to quizzes but as a feedback mechanism as part of a process and on the way to richer engagement I think quick polls, quizzes, or surveys have a role. You could have quick short post reading quiz or survey to figure out if the students have followed the reading. This would let you respond before the students get further along and further behind.

Other interpretative tools

Pie Charts (Shakespeare) - Link out to a collection of images on flickr analyzing word counts of characters in the plays
Collection of Images Analyzing Word Counts for Characters in Shakespeare’s Plays

There’s a whole range of interpretive tools Digital Humanities tools and engaging with them is well beyond this blog post. However, many projects have available outputs in some form that instructors or students can draw on as they grapple with texts.

A great starting point to explore digital humanities would be to take a look at this overview & contact Jane Nichol the emerging technologies librarian. And as you think through how to use these tools in your course

One example of the type of output you might find is this collection of visualizations of the word counts in Shakespeare’s plays

Collaborative writing and commenting

There are also other ways to dialogue around a text – especially when it’s a short dense text with lots of debate and discussion around the text. There are examples of creating your thesis on a blog as you write or using github or a federated wiki as collaborative authoring tools. However, for many courses google docs (which is integrated into canvas) offers a fantastic, known, and private tool for a course to create a document.

A manifesto for teaching online

As a open experiment let me invite you to engage with a text. The Digital Education team at the University of Edinburgh recently released their 2015 Manifesto for teaching online. There’s a lot to think about in their manifesto and how it works or doesn’t work in our context. Please join in and add your voices this copy for comment  – an annotated ‘manifesto for teaching online’. **

 

*The statement spun off a conversation triggered by the NYT opinion piece on lectures, (which I can’t mention without also noting this thoughtful response)

**If you want to author a new pathway through the text or add resources beyond what comments allow request an account and I’ll add you to the project.

Gagné’s Nine Instructional Events Online

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Half a century has passed since educational psychologist Robert Gagné published his influential book, The Conditions of Learning, but his ideas are relevant to online and hybrid learning even today. He presciently wrote, “The real point to be made is that use of a variety of instructional modes is both feasible and potentially effective. . . . What is needed in each case is thoughtful design and management of the learning environment.”

chalkboard, apple, eraser, iPad that says "nine events"Gagné popularized the concept of nine “instructional events.” Each represents a step in the teaching and learning process:

  1. Gain learners’ attention
  2. Inform students of learning objective
  3. Stimulate recall of prior knowledge
  4. Present stimulus material (content)
  5. Provide learning guidance
  6. Elicit performance (practice)
  7. Provide feedback
  8. Assess performance
  9. Enhance retention and transfer

Do you regularly use these steps in your courses? To address this question, you might consider what your students experience as they work through a typical weekly module in one of your Canvas course sites:

     Are they aware of weekly learning outcomes? If not, state them in a weekly overview that serves as the first page in each Canvas module!

     How do you gain their attention? Through video, audio, images, interactivity?

     Do you use your students’ prior knowledge as a scaffold for the learning in your course? In fact, do you make it a point to assess what they know at the outset your course?

     Beyond simply presenting content, how do you provide substantial learning guidance? Do you foster active learning through online interaction student-to-student, student-to-content and student-to-instructor?

     Do you frequently assess performance and provide feedback? Do you use weekly quizzes and/or low-stakes writing or problem-solving exercises?

Ultimately, over the course of a term, have you blazed a trail that fully supports your students’ retention and transfer? If so, bravo!

Additional Resources:

  1. Gagné’s 9 Events Applied to All Courses
  2. Instructional Strategies for Online Classes

And, for a light-hearted view of teaching and learning, here’s a 3-minute video that will definitely gain your attention and may well enhance your retention of this post: Gagné’s 9 Events Featuring Cats

Canvas Notification Preferences

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You send out announcements but do your students actually get them? You might wonder if you are doing something incorrectly or if they just aren’t reading them, but, you’ll be interested to know that Canvas allows notification preferences to be modified by the individual user.

Notification preferance list in Canvas
Click to enlarge

Each user has the ability to alter their notifications from Canvas and choose how, when, and with what frequency they want to be notified of several different activities. They even have the option to receive the notifications via text or a different email address that they might check more frequently! What these individual settings mean is that if they select that they don’t want any notifications at all, they aren’t getting news of announcement postings, posted grades, due date reminders, or discussion board posts.

In order to encourage your students to receive notifications, you might think about sending a start of term email with an example of the notification preferences you would suggest based upon your class and explain to them why these specific notifications will help them as the term goes on. In that same email, you can also direct them to the Canvas Guides with step-by-step instructions on how to set up notifications in Canvas You send out announcements but do your students actually get them? You might wonder if you are doing something incorrectly or if they just aren’t reading them, but, you’ll be interested to know that Canvas allows notification preferences to be modified by the individual user.

Each user has the ability to alter their notifications from Canvas and choose how, when, and with what frequency they want to be notified of several different activities. They even have the option to receive the notifications via text or a different email address that they might check more frequently! What these individual settings mean is that if they select that they don’t want any notifications at all, they aren’t getting news of announcement postings, posted grades, due date reminders, or discussion board posts.

In order to encourage your students to receive notifications, you might think about sending a start of term email with an example of the notification preferences you would suggest based upon your class and explain to them why these specific notifications will help them as the term goes on. In that same email, you can also direct them to the Canvas Guides with step-by-step instructions on how to set up notifications in Canvas

Reflecting on Learning

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Child looking into mirror“We do not learn from experience… we learn from reflecting on experience.”

― John Dewey

Reflection can be a powerful addition to any module or course both for instructors and for students. Instructors can inform themselves about student learning and whether their teaching is effective. Students can deepen their learning through reflection.   Reflecting both on knowledge gained as well as areas of confusion can be valuable.

What types of reflective activities are of use in an online course?   Two of the simplest activities to incorporate in a course are the Muddiest Point activity or the One Minute Paper activity.   Both are short activities in which students answer questions after a brief reflection on their learning.

Muddiest Point:

  • What concept was the “muddiest” to you during this week, that is, which concept was most unclear?

Minute Paper:

  • What was the most important thing you learned during this week?
  • What important question remains unanswered?

Reflection questions can be general or can be more specific. An instructor may want general feedback on a module in the course or they may want students to reflection on a specific field experience, collaborative group project, difficult concept, lecture, reading, etc. Reflective questions can be general or specific.

In the online classroom in which there are many active learning opportunities, adding in extra reflection activities to an already busy schedule can seem overwhelming. One solution to effectively create reflection activities online is to use the Graded Survey option within Canvas (under Quizzes). Canvas will automatically give the student full credit for submitting the survey.

Reflection does not have to add significant time to the student’s workload, does not have to add significant time to the faculty workload, and can teach students the value of reflection which can be applied to their own lives and to their workplace.

Modular Course Design at OSU Ecampus

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Why Modular Course Design

The Course Development & Training team at Oregon State University Ecampus promotes modular course design in our online courses. Laura Crowder (2011) defines modular content as “a collection of learning resources developed as a single learning object”. The major benefits of modular course design include:

  • Saving time in the development and updating of course content
  • Modular components are easily repurposed across courses
  • Student learning is improved since the content is presented in smaller chunks

Modular Course Design in Online Education

Modular course design has been highly recommended by various pioneers in online education. Stephen Downes (Downes, 1998) stated in “The Future of Online Learning” that, “…Online courses will be modular. A course – especially from the designer level – will no longer be seen as a single unit, but rather, as a collection of component parts, each of which may be replaced or upgraded as the need arises.” Andrea Henne (Kelly, 2009) recommended that “modular course design benefits online instructors and students.” The Institute-wide Task Force on the Future of MIT Education Final Report (2014) suggests “an action plan that includes the goals to identify any new or existing MITx course that could be produced as modules; produce the “sticky” modules associated with these subjects; define a limited set of standalone (“smooth”) modules and produce these; put in place a well-organized repository of existing and new modules and define guidelines for building and credentialing customized courses.”

Modular Course Design at OSU Ecampus

With Ecampus’s move to Canvas, modular course design is even easier to implement. Our online courses are generally formatted into 11 weeks as 11 modules. We used a modular course design template for creating each week’s learning content, which includes:

  • weekly overviews
  • learning objectives
  • pre-quiz
  • assigned readings
  • lectures
  • resources
  • appropriate activities such as graded and non-graded assignments
  • discussions
  • assessments
  • post-quiz
  • wrap-up

Our template is very similar to Henne’s template (Kelly, 2009), which consists of learning objectives, see table 1 for comparison of the two templates.

ModularDesigncomparisonTable

Table 1. Comparison of Global Public Health – H 333’s course design template and Henne’s course design template.

This weekly modular template, however, should not limit us from organizing learning content into even smaller units within a weekly module. Here is an example of two modular learning content units within one week in Global Public Health – H 333. The highlighted boxes show two modular content units within Week 1.

ModularDesignScreenShot

Image 1. Screenshot of Global Public Health – H 333 online course Week 1 Learning module

Therefore, if you have a course that has heavy content within each week, feel free to break them into smaller learning modules instead of putting them together as a long big piece.

Enjoy designing and teaching online in Canvas.

References:
Crowder, L. (2011). How to develop modular content in 4 easy steps. retrieved from http://www.learninghouse.com/blog/publishing/how-to-develop-modular-content-in-4-easy-steps on July 28, 2015.

Downes, S. (1998). The Future of Online Learning. Online Journal of Distance Learning Administration, Volume I, Number 3, Fall 1998. State University of West Georgia, Distance Education Center.

Kelly, Rob. (2009). A Modular Course Design Benefits Online Instructor and Students. Faculty Focus. September 2009. Retrieved on July 24th, 2015 from http://www.facultyfocus.com/articles/online-education/a-modular-course-design-benefits-online-instructor-and-students/

Institute-wide Task Force on the Future of MIT Education: Final Report, July 28, 2013, pp. 49–50.

Citations in Online Discussions

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In the classroom we often discuss readings and other sources of information. Because students are often accustomed to digital communications in which sources are rarely cited, they can benefit from guidance concerning your expectations regarding citation. The instructor for TCE 512, Psychology of the Adolescent, worked with Ecampus to create an infographic through which she provides such guidance.

This infographic is licensed under a Creative Commons license, so you can feel free to download and post it in your own courses. Also, remember that we enjoy collaborating with Ecampus instructors to create innovative resources, so if you have any interesting ideas we would love to work with you!

Citations in Discussions Infographic

Canvas Resources and Guides

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With the migration to Canvas comes many new features and methods for facilitating your course.stock-photo-female-tourist-holding-a-map-890139 The Canvas Guides provide a lot of information, but you may be wondering, where do I even start? Here at Ecampus, we’ve put together a few guides to help you become familiar with some of the tools in Canvas.

First, if you’re wondering, “I did this in Blackboard, but I can’t find it in Canvas; how do I…?”, we’ve created a few design options for that. These design options explore how to adapt features that you’ve used in Blackboard to the new Canvas environment.

 

We’ve also created some more in depth quick references that help explain how to use some of the most popular Canvas features.

 

The Quick Reference guides and other helpful Canvas-specific information can be found on our Canvas Faculty Resources page. We also have a list of resources for teaching an online course on our Teaching Resources page where you can find our favorite presentation, web-conferencing, and other tools.

 

Are there other features you’ve discovered or some you’d like to know more about? Leave your feedback in the comments!

Locating OER

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Where can I find Open Educational Resources (OER)?

Here is a list of Websites that offer (OERs) – open source (copyright free) materials, such as images, audio, and textbooks.

Search Creative Commons
This site allows you to search for resources using Europeana, Flickr, Fotopedia, Google, Google Images, Jamendo, Open Clip Art Library, SpinXpress, Wikimedia Commons, YouTube, Pixabay, ccMixter, and SoundCloud. Along with providing a selection of search services, Search Creative Commons allows you to filter your search for materials that you can use either for commercial purposes or for materials that can be modified and adapted in order to meet different needs.

OER Commons
This site offers support services and open educational resources (OERs) in a multitude of subject areas, grade levels, and material types (all of which are categorized and offered in a searchable database).

The Orange Grove
This site is Florida’s digital repository, which allows free and open access to its collection of instructional materials (including textbooks) to the public.

Universal Design for Learning

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boardwalk2“Universal design is the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design” –Ron Mace, NCSU Center for Universal Design

A fundamental of online instructional design is that learning materials should be accessible to all students. Ecampus works closely with faculty to ensure accessibility of course content for everyone. For example, since some students cannot hear an audio track on a lecture video, it’s essential that a transcript of the narration or closed captioning is provided.

Martha Smith and Gabe Merrell are OSU campus leaders in universal design and accessibility, and frequently discuss universal design for instruction with OSU faculty and staff. Martha is Director of Disability Access Services, and Gabe is Senior Accessibility Associate and Deputy ADA Coordinator in the Office of Equity and Inclusion. They note that the principles of universal design offer guidance for the design of every element of an instructor’s “toolkit,” from syllabi to presentation of content, course activities and assessments.  They point out that universal design benefits all learners. For instance, some students who can hear the audio track on a lecture video find that they learn more if they take a few extra minutes to read the companion transcript.

Gabe and Martha emphasize the importance of considering universal design up front in the development of teaching materials, instructional methods and means of assessing student learning. This is the approach the Ecampus Course Development and Training team takes with online and hybrid course development. As Ecampus serves an increasingly diverse student population, universal design enhances learning in the online classroom.

Ecampus instructional designer Melanie Kroening has created a great guide called 5 Accessibility Tips for “DIY” Course Designers that provides practical techniques for instructors to enhance the accessibility of course content.

To find out more about universal design, speak to any Ecampus instructional designer, contact Martha Smith or Gabe Merrell or visit the Center for Universal Design in Education.